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GRACE KELLY
 copyright 2006 Cary Wolinsky

"Ten years agao I was asked by someone where the new Bird was going to come from. I said, half-jokingly, that it might be a dwarf, Albino woman from Africa. Jazz seems to be floundering right now, and we don't have a clear-cut leader. Maybe Grace Kelly is the one. You never know." ---Phil Woods

“Her voice is sweet and soulful, bridging the vocal traditions of jazz and pop music in an authentic, original way.  Her sensitivity, control and focus as an alto saxophonist is impressive. What knocked me out in particular is her songwriting.” 

                                ….Ann Hampton Callaway,  New York City 

Click to hear review
“I first met Grace Kelly at the 2006 summer jazz program at Stanford University. I was amazed at her precocity and talent. Recently she sat in with me and the Jazz Ambassadors Jazz Band at the Pittsfield Jazz Fest. and we jammed together through "I'll Remember April." How did she sound? I gave her my hat! That is how good she sounded! She is the first alto player to get one. Hooray for the future of jazz and the alto sax!"
………PHIL WOODS  

 

Of course you know Grace is 14 years on this planet, and is all ears and heart.
What more could we ask for?

...LEE KONITZ 
 
GRACE'S UPDATE 7-25-08


Hello everyone!!
Hope you are all having a wonderful summer…I certainly am. It’s been flying by too! There’s been a lot that’s happened since Korea. I recently played at the Jazz Baltica Festival in Salzau Germany. It was amazing. One of the best festival experiences I’ve ever had. This year at the festival the focus was on the saxophone. The artist in residence was Joe Lovano and some of the other players there included: Ornette Coleman, Dave Liebman, Ravi Coltrane, Gary Smulyan, Bunky Green, Scott Robinson, David Binney, Greg Osby and so many more I played a set with Lee Konitz and the quartet (Matt Wilson: drums, Martin Wind: bass, Don Friedman: Piano) and also had the honor to play with the great Hank Jones! I also played in what they called a “Saxophone Conclave” with a variety of sax players from Lee to Donny McCaslin, Ignaz Dianne and more. The festival was so special because we were in the middle of the beautiful countryside in the very north of Germany near the Baltic Sea. There is this big beautiful castle in the middle and big barns where we preformed. There were no TV’s, internet or anything so everyone was out all the time hanging. The 8000 fans and audience members there seemed to eat jazz morning and night …a lot of them stayed up till’ 6 am watching the jam sessions where we played and then started watching performances again in the afternoon from 1pm. I got to hang with all these great musicians and a lot of the audience too. The best thing of this festival was really the feeling. It was so nice for artists and fans to be able to pass by each other and start chatting.
A week before Jazz Baltica I was a special guest sitting in with Lee Konitz while he was playing at Dizzy’s at Lincoln Center in New York with his quartet (Matt Wilson-drums, Ray Drummond- bass, Peter Bernstein-guitar and Dan Tepfer, Piano. We recently released a CD together called, “GracefulLee” (get it?! Ha-ha.) It’s available on CD Baby, itunes all the same places…please check out the link on the website and give it a listen. I would love to know what you think! That CD was such an honor for me to record. It has the all star rhythm section of Rufus Reid-Bass, Matt Wilson-Drums and Russell Malone- Guitar. Everything ended up being one take and it is basically a live CD. It was such a fun session…so spontaneous and evolved in a very organic way. It was also such an amazing thing for me to record with all the jazz legends. I am very proud to have it documented and out there for all of you to listen to!
In May I performed with my band at the Mary Lou Williams Jazz Festival at the Kennedy Center in Wash. D.C. That was a fantastic experience and it happened to be on my 16th birthday. The people at the Kennedy Center, along with Dr. Billy Taylor, surprised me by rolling out a huge chocolate cake on stage after my performance and my band played happy birthday for me.
A couple of weeks later I was in New York having dinner with Lee Konitz and some friends at Roth’s Steak House, a small restaurant on the upper west side. Antonio Ciacca’s jazz trio was playing there and Lee introduced me to Antonio. He asked me if I had my horn and wanted to sit in. My dad went back to the car and got it for me. Just before the second set Antonio came to me and asked if I wanted to sit in again and if minded if a trumpeter sat in on the set too. I said of course not. To my shock, out walks Wynton Marsalis. The two of us played with the trio for the next hour. It was surreal and fabulous. You just never know where and when magic moments will happen.
In a week I am off to the Stanford Jazz Residency in CA and Brubeck Institute in Stockton CA. After that I am going to the Vail Jazz Festival in Vail Colorado to work with John Clayton, Jeff Clayton, Lewis Nash and Bill Cunliffe. It should be a great time.
Also, please be on the look out for another one of my new CD’s: “Mood Changes”, which will be out in the fall. This one is featuring many of the same band members as my previous CD such as Terri Lyne Carrington-drums, John Lockwood- Bass, Doug Johnson-piano, Jason Palmer-Trumpet and also special guests such as, Hal Crook-Trombone and Adam Rogers-Guitar. It is a very exciting CD with many different genres and “mood changes” featuring many of my own compositions, arrangements on standards, vocal tunes, the whole thing.
I will be starting Berklee School of Music on a full scholarship in Sept. and I can’t wait!! I got out of high school 2 years early and now there are new things ahead. It should be really fun to meet new people, faculty members, play new music…everything!! Please check my schedule for upcoming events! I would love to see you at a show soon.
Much love,
Grace

The Band (from left to right)

 

Doug Johson (Piano)

Grace Kelly (Vocals/Saxphone/Composer)
Terri Lyne Carrington (Drums)

John Lockwood (Bass)

Doug, Grace, Terri Lyn, John
Sibelius Artist        www.sibelius.com
Grace Kelly Endorses Sibelius Software www.sibelius.com

14-Year-Old Sax Prodigy Grace Kelly Set for Stardom

Sibelius helps super-busy teenager juggle touring, recording and homework

She's played jazz festivals from Spain to Singapore, sells albums on iTunes and has already played with countless jazz legends - and she's only just turned 14.

Grace Kelly is one of the most talented young saxophonists to come along in many years. Amazingly, she has already recorded and/or performed with many notable musicians: Lee Konitz, Ann Hampton Callaway, Jerry Bergonzi, John Lockwood, Yoron Israel, Terri Lyne Carrington, Chris Potter, Adam Rogers, Christian Scott, Harold Mann, Esperanza Spalding, Doug Johnson, Ken Berman, Peter Kontrimas, Paul Broadnax, and Bo and Bill Winiker, among others.

Over the past three years, Kelly has played at some of the most renowned Jazz venues across America, including the Regattabar, the Acton Jazz Cafe and Dizzy's Club Coca-Cola at New York's Jazz at Lincoln Center. With two CDs and several TV and radio interviews behind her, she's been fielding offers to perform everywhere from local schools to jazz festivals in Spain and Singapore.  She has also participated in two separate ensembles which both won prizes in the International Chamber Music Ensemble Competition of 2005.

So Grace is not only (stunningly) talented, she is clearly one of the most time-challenged teenagers we’ve ever met.

An A student, Grace adheres to an extracurricular schedule crammed with lessons and practicing. Weekday activities include saxophone tutorials, jam sessions, piano lessons, dance classes, and vocal training. On Saturdays she takes an all-day class. Sundays she'll often rehearse with a Brookline Music School ensemble or take a monthly master class with Bergonzi, a tenor saxophonist who toured for many years with Dave Brubeck.

So anything that saves her time, AND allows her to do what she truly loves, is okay in Grace’s book. Sibelius, it turns out, does exactly that. “I love it most of all because it is so quick to set up and easy to use,” says Grace.

Beyond playing the alto sax, Grace also love to compose. She has invented songs, dances, stories, and plays since she could sing, walk, and talk, and composed her first song at age seven. From then on songwriting became one of her great passions along with singing and playing the saxophone.

“Sibelius is great for composing for me, because I can hear back the sounds as they combine right away. Also, it’s so easy to change one aspect of the score without messing with the others. It’s easy, and it’s fun,” says Grace.

When Grace was ten years old, she was inspired to make composing and singing her life’s goal, after she saw Ann Hampton Callaway perform at the Regatta Bar. Two years later, Grace met Ann again after a show at Scullers Jazz Club where they began a friendship that has become very special to them both. Ann was so generous to write the liner notes for Grace’s first CD “Dreaming,” where she wrote: “Singer, songwriter, saxophonist Grace Kelly has the boundless spirit and imagination of a natural artist. There is no telling how far this child prodigy will go with the limitless possibilities of her voluminous talents.”

As a songwriter Grace composes in many forms and styles of music, as demonstrated on the “Dreaming” CD, released in March of 2005. Grace’s original compositions range in genre from jazz to folk to pop. Even her nominally “non-jazz” compositions resonate with a certain jazz feel that emanates from her soul. The cover songs on the CD showcase her creative and unique arrangements of existing classics, allowing these jazz standards and others to come alive in a new and refreshing way.

She has grown up loving jazz and Broadway musicals, and some of her favorite musicians are Charlie Parker, Paul Desmond, Stan Getz, Lee Konitz, Cannonball Adderley, Johnny Hodges, Dexter Gordon, and Stevie Wonder. Grace is also drawn to vocal jazz, and the music of Ella Fitzgerald, Sarah Vaughn, Billy Holiday, Betty Carter, Dianna Krall and Ann Hampton Callaway has greatly influenced her.

Grace already has a well-rounded approach to making music and improves rapidly in her saxophone playing due to the teachings of some of the best in the business. Grace currently studies saxophone with Lee Konitz, Jerry Bergonzi, James Merenda, and Jeremy Udden.

Her first introduction to Sibelius, in fact, was through her educators. “Three years ago I was introduced to Sibelius at the New England Conservatory Prep School, and I’ve been a fan ever since,” says Grace.

Between school, music, life and homework there’s not much time for anything else. “I try to balance my time as much as I can, and I have to say that Sibelius helps me do that. One of the best parts about Sibelius is the shortcuts, I think. Keyboard tricks that I’ve been learning that help make things even faster. Anything that saves time I’ll love!,” says Kelly.  She also likes using Sibelius when playing with other musicians, who find the scores very easy to read.

When asked about her future goals, Grace is pretty clear. ''My goal is having my music reach as many people as possible and touch them in a personal way. I’d like to continue to travel the world and meet my idols and play great venues.”

For most teenagers, meeting your idols, playing with them on stage, and traveling the world would be a dream. For Grace, it’s a reality. “I’m on the road a fair amount. I do a lot of composing and work from my laptop, and Sibelius Scorch has helped me a lot because I can download music, see videos, and connect from a hotel room. But I also use it on my home computer.”

Next time you are on the road, check Grace out. You’ll be floored by her talent. and her smooth, soulful sound. And check out Sibelius’ shortcuts too --  it seems good things really do come in small packages.

For more information about Grace Kelly visit www.gracekellymusic.com.

 
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GRACE KELLY --- SAXOPHONIST-SINGER-COMPOSER-ARRANGER